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INTRODUCTION
GENERAL REFERENCES TO Multivoiced-Discourse: Vol. I Vol. II Vol. III Vol. IV Vol. V Vol. VI Vol. VII Vol. VIII Vol. IX
SPECIFIC TOPICS ON Multivoiced-Discourse: GUASCOIGNE FRENCH GREEK ITALIAN LATIN SPANISH MULTIORIGIN
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French
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Quote
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Lang.
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Font
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Coll.
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Notes of Norton Edition
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Notes of Penguin Edition
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tout ensamble
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French
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italics
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Vol I,
Ch IX
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"The whole thing"
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The whole thing
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poudrè d’or
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French
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italics
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Vol I,
Ch X
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"Powdered with gold"
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Powdered with gold
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gaité de cœur
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French
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italics
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Vol I,
Ch XI
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"Gaiety of heart"
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Gaiety of heart
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bon mot
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French
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italics
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Vol I,
Ch XI
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"Witty saying"
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Witty saying
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femme sole
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French
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italics
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Vol I,
Ch XV
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"Single woman"
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Single woman
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vive la Bagatelle
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French
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italics
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Vol I,
Ch XIX
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"Hurrah for frivolity"
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"Long live foolery"
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MEMOIRE presenté à Messieurs les Docteurs de SORBONNE
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French
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italics
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Vol I,
Ch XX
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The passage is from Heinrich von Deventer, Observations importantes sur le manuel des accouchemens.
Translation
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"Memory presented to the doctors of Sorbonne University"
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sous condition
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French
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italics
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Vol I,
Ch XX
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Under condition
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Under condition
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par le moyen d'une petite canulle, sans faire aucun tort au père
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French
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italics and normal
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Vol I,
Ch XX
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"By means of a little nozzle, without doing any harm to the father"
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"By means of a little nozzle, without doing any harm to the father"
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fossè
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French
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normal
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Vol II,
Ch V
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"trench, dug-out"
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A long narrow trench or ditch, especially used in fortifications. It’s used in current English, but wihout accent.
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tire-tête
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French
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italics
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Vol II,
Ch XI
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"Head-puller"
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"Head-puller"
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Ouvrage á corne
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French
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italics
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Vol II,
Ch XII
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Military term
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Military term
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Accoucheur
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French
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italics
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Vol II,
Ch XII
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Man-midwife
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Man-midwife
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go to the top
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Corps de Garde
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French
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italics
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Vol II,
Ch XVII
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"A unit of men on guard duty"
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Sentry duty and those who comprise the detail, usually under a corporal’s command
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Coup de Main
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French
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italics
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Vol II,
Ch XVII
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"A sweep of the hand"
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Sudden, resolute assault
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en Soveraines
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French
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italics
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Vol II,
Ch XVIII
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"as sovereign queens"
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as sovereigners
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Pantoufles
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French
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normal
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Vol III,
Ch XVIII
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"Slippers"
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Slippers
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Vis-à-vis
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French
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italics
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Vol III,
Ch XXIV
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"Face to face"
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"Face to face"
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matin
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French
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italics
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Vol III,
Ch XLII
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Morning
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Noon
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Seig.
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French
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normal
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Vol IV,
ST
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"Seigneur": mister, Lord
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Mister
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"La Vraisemblance n’est pas toujours du Cotè de la Verité"
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French
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normal
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Vol IV,
Ch XV
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"What appears real is not always on the side of Truth"
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FL: "Appearance is not always on the side of the Truth"
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Le Premier
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French
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italics
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Vol IV,
Ch XXI
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The first
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The first
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mort main
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French
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normal
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Vol V,
Ch I
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"Dead hand"
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Dead hand
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Ecclaircissement
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French
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normal
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Vol V,
Ch XIV
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"Enlightenment"
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Enlightment
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Scrutoir
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French
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normal
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Vol V,
Ch XXX
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"Escritoire"
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Escritoire
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"Nous aurions quelque interêt, says Baillet, de montrer qu’il n’a rien de ridicule s’il étoit véritable, au moins dans le sense énigmatique que Nicius Erythraeus a tâché de lui donner. Cet auteur dit que puor comprendre comme Lipse, a pû composer un ouvrage le premier jour de sa vie, il faut s’imaginer, que ce premier jour n’est pas celui de sa naissance charnelle, mais celui au quel il a commencé d’user de la raison; Il veut que c’ait été à l’âge de neuf ans; et il nous veut persuader que ce fut en cet âge, que Lipse fit un poème.- Le tour est ingenieux, &c, &c."
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French
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smaller,
a note
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Vol VI,
Ch II
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"We should have some interest, says Baillet, to show that there is nothing ridiculous if it is true, at least in the enigmatic sense that Nicius Erythraeus has tried to give it. This author asys that to understand how Lipsius has been able to compose a work the first day of his life, it’s necessary to imagine, that the first day is not that of his physical birth, but that in which he began to use his reason; he maintains that it was at the age of nine; and he wishes to persuade us that it was at this age that Lipsius created a poem- The attempt is ingeniuos, etc., etc."
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FL: "We should have some interest, says Baillet, in showing that there is nothing ridiculous, if it was true, at least in the enigmatic sense which Nicius Erythræus has attempted to give it. This author says to understand how Lipsius may have composed a work the first day of his life it is necessary to immagine the first day is not that of his birth in the flesh, but that on which he recommended to use his reason; he maintains that it was at the age of nine years, and he wishes to persuade us that it was at that age that Lipsius wrote a poem. – The attempt is ingeniuos, etc., etc.,"
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Faceté
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French
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normal
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Vol VI,
Ch V
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"Good-humored"
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Good-humored
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Tenutè
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French
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italics
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Vol VI,
Ch XI
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"Sustained"
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"Sustained"
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chamade
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French
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italics
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Vol VI,
Ch XXII
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"A bugle or drum call for retrat or parley"
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"Signal for retreat"
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Allons!
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French
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italics
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Vol VII,
Ch I
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"Let’s go"
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"Let’s go"
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La Tour de Guet
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French
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italics
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Vol VII,
Ch V
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Watchtower
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Watchtower
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Tête de Gravelenes
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French
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italics
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Vol VII,
Ch V
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The fortification facing the lower town of Gravelines
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The fortification facing the lower town of Gravelines
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basse ville
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French
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italics
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Vol VII,
Ch V
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"Lower town"
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Lower town
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Ah! ma chere fille!
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French
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italics
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Vol VII,
Ch VII
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"Ah! my dear girl!"
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Ah! my dear girl!
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Diable
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French
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normal
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Vol VII,
Ch VIII
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"What the Devil!"
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FL: "The Devil!"
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devote
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French
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normal
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Vol VII,
Ch IX
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"Devout woman"
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"Devoted" to God, when a French woman turns herself to religion (Yorick’s theory of the 3 stages)
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De Montreuil à Nampont-poste et demi
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French
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italics
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Vol VII,
Ch X
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"From Montreuil to Nampont- a post (six miles) and a half"
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From Montreuil to Nampont- a post (six miles) and a half
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le Curé
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French
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italics
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Vol VII,
Ch XVI
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"The parish priest", not as in English his assistent
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The parish priest
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gourmands
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French
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italics
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Vol VII,
Ch XVII
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Greedies
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People who enjoy eating
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pardi
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French
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italics
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Vol VII,
Ch XVII
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"By God!"
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By God!
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valet de place
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French
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italics
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Vol VII,
Ch XXX
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"Guide"
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"A guide to strangers or tourists"
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Basse Cour
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French
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italics
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Vol VII,
Ch XXXI
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"Lower court: stable yard"
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Sterne’s translation: ‘tis all one
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dernier
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French
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normal
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Vol VII,
Ch XXXI
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"Last"
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Last
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osier
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French
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normal
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Vol VII,
Ch XXXII
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"A piece of caning from which the basket was made"
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A piece of caning from which the basket was made
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pannier
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French
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normal
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Vol VII,
Ch XXXII
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"Basket"
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Basket
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Pardonnez moi
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French
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italics
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Vol VII,
Ch XXXIV
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"Excuse me"
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"Excuse me"
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C’est tout egal
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French
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italics
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Vol VII,
Ch XXXIV
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It is all the same
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Sterne’s translation: "‘tis all one"
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Bon Dieu
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French
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normal
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Vol VII,
Ch XXXIV
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"Good God!"
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Good God!
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PAR LE ROI
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French
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Capital letters
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Vol VII,
Ch XXXV
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"By [order of] the King"
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"By [the order of] the king"
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à la folie!
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French
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italics
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Vol VII,
Ch XXXVIII
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"Madly"
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Madly
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O Seigneur!
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French
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normal
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Vol VII,
Ch XXXVIII
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"O Lord!"
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O Lord!
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J’en suis bien mortifiée
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French
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italics
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Vol VII,
Ch XXXVIII
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"I’m very mortified"
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I am simply mortified
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Tenez
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French
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italics
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Vol VII,
Ch XXXVIII
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"Here you are"
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Here you have
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Bon jour
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French
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normal
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Vol VIII,
Ch III
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"Good morning"
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Sterne’s translation:"Good morrow"
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aid de camp
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French
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italics
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Vol VIII,
Ch XXVIII
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"Aide-de-camp", literally camp assistent. It should be "aide"
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"Aide-de-camp", literally camp assistent. It should be "aide"
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cuvetts
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French
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italics
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Vol IX,
Ch XI
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"Trench or a kind of bed-pan"
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"So far the meaning is "trenches", but here it’s probably a joke, cuvette is also a bedpan"
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voitures
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French
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normal
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Vol IX,
Ch XXIV
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"Carriages"
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Carriages
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go to the top
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